Wild Rose

I’m feeling vibrant and energised this morning. Yesterday was a free day and I went on a 10 mile walk starting from my house bright and early. I love observing the change in seasons and how suddenly it can be snowy and bone numbingly cold one weekend, and a week later, the birds seem to chatter and chirp in a fresh new key as they gather materials to create their new homes. I heard a woodpecker tapping away this morning when I was stretching with the window wide open. It’s definitely Spring thank goodness and when the sun is out, the warmth feels therapeutic.

Noticing these changes adds variety on a walk along paths we’ve trodden very well over the past year. Yesterday we avoided roads and ventured across country rather than sticking to the clearly established paths. You could call it the path less travelled and I like that a lot, going off piste. Towards the end of the walk we headed up to the moorland above Deer Hill reservoir. It was barren and rugged. Lovely!

I put on some simple fare when we got back. I love feeding people and I’ve missed that during lockdown.

We didn’t see any wild roses on our walk but these days, Saturday night is movie night. After a quick scroll through the Netflix top titles, I decided on a film called Wild Rose. It really blew me away which is why I’m telling you about it. It’s still with me this morning. It’s an inspiring and slightly gritty but uplifting story of a Glaswegian country singer desperate to make it big in Nashville. The protagonist is played by a phenomenal actress called Jessie Buckley who sings for real in the film, and Julie Walters does a fantastic job playing her mum. It really inspired me and I laughed out loud a few times which says a lot as most viewing leaves me po faced. That’s all I’m going to say. Watch it and let me know what you think, especially if you laughed out loud.

Have a super wild Sunday!

Out of hibernation at last!

Hello Dear Readers! I can’t believe I haven’t blogged since October! So much has happened I don’t quite know where to start, so why don’t I start with music? At last I’m feeling really motivated and moved by music again, the main reason being that I might have 2 weddings in May. Please whisper that so we don’t jinx it! I’m optimistic that smaller weddings will become a big thing for the rest of the year as some couples decide that big isn’t always best and that wedding celebrations might be even better when held in stages. Why not have a small intimate ceremony, then later on, a party with punch and pizzazz as bigger gatherings are permitted again? Today I enjoyed researching some requests for May and I got a buzz as I remembered the process of making pop tunes sound good on the harp. I’ll be sharing some of those on social media when they’re ready to be aired so stay tuned.

A question I’ve been pondering is how I can reach couples who would be interested in having me play at their wedding without wedding fayres at which to perform my latest hits. Fayres are hard work but fun at the same time as they’re a great way to meet music loving clients as well as catching up with some amazing wedding suppliers. I have to remind myself to be patient as life resumes some sort of normality.

I’ve enjoyed practicing for my own pleasure as well as learning wedding requests. It’s helped keep my brain in shape, not to mention my fingers - I’m looking forward to having calluses again! I realised that when the urge to play is there, I have to seize it, even if I only have 5 minutes. I love having full days to indulge in some serious practice but life doesn’t always allow this luxurious time. Playing keeps my creativity topped up and connects me with the passionate part of my personality.

My online Zoom teaching has been a lifesaver. The ability to teach weekly from home is fantastic and it’s one of the blessings of technology. Obviously face to face lessons are ideal, but my regular students who have had their weekly dose of Zoom have steadily made significant progress in their playing and in their basic music theory knowledge. It’s also been lovely to see them and to catch up on their news. Feel free to get in touch if you fancy trying a Zoom lesson from the comfort of your own home.

From a non musical perspective, I’m still walking and running and enjoying the sanity that brings while swimming pools and gyms have been out of bounds. I’ve also been having online yoga lessons with Sue Cowlishaw - she’s a fantastic yoga teacher offering very varied classes, and every week I learn some new poses or flows, or we work on the fundamental postures. My mind, body and spirit love yoga!

I’ve been cooking a lot, and I mean a lot, and learning new styles of cuisine. When the pandemic worsened and I realised I’d have no playing work at all, I developed psoriasis on my arms and legs. I’m sure that stress and uncertainty were the main factors which aggravated this chronic condition. It hasn’t affected me significantly other than the appearance of the plaques denting my confidence but I think the arrival of Spring with an improvement in the weather, and more music will help with this. I’ve tried all sorts of approaches - prescription and non prescription lotions, creams and ointments, cutting out food groups, fasting, detoxes etc. Nothing has made a significant difference so I’m trying not to give it too much thought. I’m certain that as we learn a new way of being, my skin will settle down. I’m told that swimming in the sea and warmer climates are beneficial for psoriasis. Planning holidays abroad is good for psoriasis too! Did I tell you I’ve been learning Spanish? Wow, how I’ve enjoyed that! I’ve been learning the basics using an app on my phone. Learning a new language fills me with positivity and a sense of possibility. I love it!

For the time being I won’t be posting photos here, it takes too much time to download them. I will however be using Instagram and possibly Facebook (if I can work out how to get past the pesky code generator - what’s that about FB?!!) to share images and music clips. If you want to see what I get up to when I’m out and about away from the harp, I’m on Instagram as rarebitblogging It’s just a bit of fun, usually in the hills. Maintaining a sense of fun is so important!

I’m feeling excited about the future and ready to start this new chapter. Hope you’ll join me!

Walking the walk

Hello dear readers, dear music lovers! How are you all doing during these crazy unsettling times? I wanted to reassure you that I’m still here. I love writing and I’ve really missed blogging but with the outbreak of COVID 19 and doing my part time shop job to the best of my ability with all the challenges that come with new regulations implemented every week, I’ve hardly had time to do one of my favourite things - write! I’ve made a few changes in my home since March and I’ve embarked upon a few DIY projects. I’ve been trying and testing new recipes and my diet is now mainly plant based. I’m still managing my house and tending my garden as best I can, so writing has taken a back seat. Whenever I have some free time I love to practice but seeing as most of my public performances have been cancelled or postponed, I’ve been practicing my own music for my pleasure and to keep my hands and fingers (and brain!) in shape. Interestingly my obsession with keeping myself in good physical shape has grown and I don’t feel quite right unless I’ve walked or jogged at least a couple of miles a day. I’ve pushed myself quite hard this month and with today’s wet weather I’m taking the day off to rest my feet and joints. I’ve slept a lot so I know tomorrow I’ll be ready to bounce into a new week.

When COVID kicked off I decided I was going to do my best to keep upbeat, not beat myself up at the loss of work/income. 2020 was all set to be one of the best years as far as weddings go, and I was ready to reap the fruit of all those hard played wedding fayres and all the promotional work they involve. Gradually the emails came pouring in and I’d brace myself to face the admin pile that mounted up as the weeks went on. I couldn’t be bothered practicing or even playing for my own pleasure. There were so many genuinely lovely brides and grooms whose weddings I was looking forward to playing at and so they’'ll be even more special when they do eventually go ahead, but it has been quite a painful time. I’ve had some personal financial difficulties to face as well and a few health concerns (psoriasis, a new one on me). But throughout this episode in my life I’ve managed to keep a surprisingly positive attitude. I’m convinced my walking and running has helped with that. When I’m feeling down I can either let myself slip down further or put on some leggings and running shoes and get out there. I’m no runner! However I can run a bit and stop when I get out of breath, and when I get back my mood is about 5 notches higher. Endorphins are the best and the feeling is very similar to the adrenaline rush I get from performing! I haven’t been swimming since March as my lovely little local pool is still closed. Running will never replace that invigorating first plunge into the water, but it’s the most accessible form of vigorous exercise I have at the moment.

I’ve fallen in love with longer walks since embarking on an expedition from home towards White Hill on the other side of the M62 on a scorching hot day at the end of May with my friends Gareth and Sue. We covered just over 20 miles that day. I felt as though I’d been purged, a deep cleansing of my self. My feet were in tatters and I had no energy for 2 days afterwards but it was a truly amazing feeling, especially when I considered what it’s like to drive 20 miles. Since then I’ve completed quite a few longer walks including one of my favourites, the Edale Skyline. Last Sunday we walked up Pen Y Ghent.

Pen Y Ghent conquered!

I wanted to walk all 3 of the Yorkshire Three Peaks but I don’t have the stamina yet. Walking really is a great way to experience the amazing countryside around me and it ticks so many boxes. What has walking and running got to do with music? You may well ask. For me it taps into my creative side. It allows me space to express the stream of thoughts whirling in my head and I feel appeased afterwards. On Friday for example, I set myself the goal of making a short recording of a request from a bride. At the end of a busy week including a day of online teaching on Thursday, the last thing I felt like doing was fiddling with tech but I had a goal. I was in a bad mood when I woke up later than I wanted. I pushed myself out and covered 3 miles and got to work. I got 3 versions of At Last recorded, sent one version to the bride and posted another on social media. I think that if I hadn’t run I probably wouldn’t have done the recording at all.

I’ve been doing some online yoga with the lovely Sue from sjcyoga - check her out, she’s pretty bloody good and has the patience of a saint when I’m huffing and puffing and telling her I can’t go on. We regularly do a killer core exercise I thought she said baby seals do. Turns out she said Navy Seals. Flip. I feel like a baby seal when I’m doing it and I go a rather alarming beetroot colour but I always feel better, straighter, taller and stronger after a session with her.

Other than loving living my adventures I’m always working on new music for weddings and events so keep those requests coming in and I’ll make time to learn them.

Have a great week and month!

Rhian

Happy New Year!

I’m a bit late in wishing all you lovely visitors to my website a prosperous and fruitful new year but here I am and I’m ready to make 2020 a musical year to plucking well remember. Just a few words tonight as I’ve got a lot of practice to be getting on with. Music makes me so happy and I love playing my harp at every opportunity! I wanted to share a couple of videos I’ve recently recorded of two songs that are very popular requests for weddings, but due to my slight lack of competence in the technical department, here are links to my Facebook and Soundcloud pages, where I’ve just uploaded two new wedding songs for 2020 and beyond.

My aim is to record a new track once a week. Last week was my take on the main theme from Out of Africa by John Barry. This week was my version of Ed Sheeran’s lilting love song, Perfect. You can also view videoclips on Instagram if you use it. Eventually I’d like to be able to produce basic videoclips (without having a complete technical meltdown) of me actually playing with the best sound quality I can achieve outside a studio.

As always, do let me know what you think and if you’d like me to make a short video or soundclip just for you! In the meantime, my focus is on the ppp’s - practice, practice and, you guessed it, playing! I’ve got some very exciting performances coming up this year - watch this space…

I'm practicing again!

I’ve been bitten by the practice bug again big time so I won’t be blogging as much as usual over the next few weeks. See the poster below for one of the reasons. I’m really excited to be playing in this concert alongside some lovely talented local musicians. I played through my programme today and you might like it. Why not come along and hear me playing with fire? That’s the new subtitle for my website by the way. What do you think? Does it make me sound like a dragon? It’s meant to indicate that I play with passion, not that I’m a scary animal!

NOEWA - North of England Wedding Awards

I had a great time playing for the gala dinner at the North of England Wedding Awards at York Racecourse on Monday night. This event at the start of the season is a real highlight and an opportunity for people throughout the wedding industry to congregate and basically have a good old shindig celebrating their achievements. It’s lovingly organised by Liz Clark of The Wedding Guide and she certainly knows a lot of people in the business. Liz and her team work tirelessly to ensure an entertaining evening and getting The Wedding Guide magazine through the post with my advert in it is something I look forward to twice a year. Thanks Liz!

Last year was my first experience of the awards. This year, a bit wiser, I was less fazed by the vast sprawl of the Voltigeur Suite glamorously glitzed up for a gala evening. I had my music stand light with me so I could actually see my notes without being dazzled by the bright lights directed at the stage.

Photo by Nikki Pix Photography

I’d prepared a setlist just for the event with some of my favourite background music for a spotlight performance. I started my set with the main theme from Back to the Future which I learnt for a fab wedding in June (thanks so much for your request Nikki and James - it’s a keeper!) I thought it was appropriate to include one of Lewis Capaldi’s greatest hits, Someone You Loved, seeing as I worked with Manchester Camerata at Capaldi’s gig at Croxteth Park in August (scroll down if you’d like to read more about this memorable performance.) I also included a seasonal favourite, Have Yourself a Merry Little Christmas. I wanted to show that harp music isn’t just for weddings, just in case anyone thought I’d lost the plot. Music enhances every occasion and I played a variety of different styles of music reflecting different moods. I carefully selected familiar music that people would recognise - I like to think there was something for everyone.

I thoroughly enjoyed playing on Monday night. I was completely focused and in the zone and I think my performance went down well. It’s hard to gauge that with around 200 diners but I was delighted with how it went. I realised I’ve come a long way in 12 months in confidence and my understanding of the wedding industry.

If you were there on Monday night and you enjoyed my performance, why not book me to play at your special event? Christmas is coming and harpists aren’t just for weddings! And if you’re reading this blog, you may have worked out how much I enjoy the written word so do get in touch if you’d like me to do some blogging, writing, editing or copy for you.

A blooming marvellous wedding

A perfect position to play Pachelbel’s Canon in D

surrounded by a few of my favourite things - books and blossom, and my Camac harp of course

I played for Emily and Josh’s gorgeous intimate wedding at Wortley Hall yesterday. I met Emily at a wedding fayre at Wortley Hall last year which she attended with her mum and her sister. A beautiful friendly dark brunette, Emily looked stunning in her amazing dress. She appeared magically at the wooden double doors before walking down the aisle after her bridal party.

I spy

That’s lovely Laurie at the far end. A key member of the Wortley Hall wedding team, there she is, efficiently ensuring everything’s in place before the ceremony

Emily wanted a combination of pop music that’s been featured in films like Twilight and Disney animation, as well as traditional classical music for her civil ceremony. This took place in the lounge, which was ornately decorated with gloriously oriental blossom trees. Her guests entered the room and I played some atmospheric background music as a backdrop for conversations between Emily’s family and friends as they awaited her arrival. The harp is the perfect choice if you want unobtrusive wedding music that’s soothing and uplifting.

For her entrance, Emily chose the timeless classic, Canon in D by Pachelbel. It’s an excellent choice to walk down the aisle as it’s calm and ceremonious, solemn yet rousing.

After the official ceremony came the signing of the register and the photos. It was the perfect opportunity for me to play Emily’s requests, A Thousand Years and Beauty and the Beast. You can listen to clips of all these pieces of music and more by clicking here:

The ceremony drew to a close and I played Allegro Maestoso by Handel for Emily’s exit with Josh. Celebratory and joyful, it’s a great choice as an exit piece. It was also performed at Princess Diana’s wedding so it’s got to be a good tune! It’s a significant moment, the first part of their journey as husband and wife, and choosing an optimistic upbeat piece of music is a good move. They walked out of the lounge directly onto the gardens, which looked like this:

Is it any wonder I love playing here?

The gardens are in full lush technicolour bloom right now. Doesn’t that giant shrub look a bit like a cake?

Beautiful dahlias

in the carefully tended gardens

Hearty artichoke plants

in the well stocked borders

Congratulations to the newly weds - wishing you every happiness for your future together!

Deadlines

Changing Room

Victoria Baths

I must admit I’m a fan of deadlines. They seem to push me beyond the expectations I have for myself. I love the reminder that, even as I approach 50, I’m still capable of learning quite a lot of new things and retaining a significant amount of information, some of it useful and some less so. At times, I think my memory is like a sieve (a couple of weeks ago, I locked myself out of my own house - in fairness, I was preoccupied with what seemed like 50,000 thoughts going on at once and I was very tired), but when I consider how much knowledge my brain has to retain, I think I’m doing alright. Soon, I might make a list of things I’ve learnt so far this year. I think I’d surprise myself.

I’ve had my orchestral harpist head on since Wednesday evening and I’m really enjoying being immersed in that world once again. I’ve got a rehearsal and concert at beautiful Wakefield Cathedral tomorrow. I’m playing as part of the Amici Ensemble accompanying the Yorkshire Philharmonic Choir directed by charismatic Andrew Padmore in two works by John Rutter, neither of which I’ve played before. I haven’t had the music for long and after an initial read through of notes and symbols that seemed to be written in a foreign language, I persevered, working as much and as often as time permitted.

To my relief, it finally started making sense last night. I started to breathe as I was able to bring longer passages together to form coherent intelligible lines and phrases. It’ll still be to the wire as there’s a lot of everyday busyness to be dealt with. The devil is in the detail and I’ve reached one of my favourite stages during which the music gets its technicolour finishing coat. The music sounds so very different by this stage with much more refinement. I kick myself gently yet firmly at something that proved so challenging that now seems a whole lot simpler once I’ve identified the cause of the difficulty. I’m almost enjoying the adrenaline that comes with my slightly augmented stress levels. In moderation, it’s a useful natural substance.

Pre concert

The stage is set

It’s been rather a musical week all in all and I really love how the focus has shifted to my passion, one of my main “raisons d’être”. Music. I attended a really inspiring concert at the stunning Victoria Baths in Manchester last Friday. It was given by the Juniper Project, a duo created by harpist colleague and friend, Eira Lynn Jones and her flautist partner, Anna Rosa Mari. Sitting in the waterless pool, we were quite literally immersed in music. It’s one of three pools in this spectacular building. It’s under renovation and thank goodness for that. I love the juxtaposition of old and new buildings but it’s all too easy to resort to demolition rather than reviving our architectural treasures.

Well loved

Indoor picnic

These two accomplished musicians regaled us with their stunningly simple musically sensitive interpretations of varied repertoire with an aquatic theme flowing throughout. There really was something for everyone, including a little bit of Rutter, funnily enough. His works certainly are popular and he always writes satisfyingly substantial harp parts.

Talking of deadlines, I’ve got 10 good minutes left before I fall into a sleepy stupor. I’ve got another deadline for Sunday evening, but more about that in another blog post.

Have a super smashing weekend with some wonderful music. I know I will, because, let’s face it - I love being in harpist mode!

Kiss me quick!

A slightly bizarre scene in one of the pools

It’s Down to Business - A Clean Slate

Rhian Evans Tourist

It’s all go here at Rhian Evans Harpist HQ. I had a great holiday and although it was all too brief, I’m still feeling inspired and stimulated by my time away in Sardinia. It’s said that a change is as good as a rest and I’ve returned reverberating resonant ideas around my business. The day before my departure I had a positively fruitful meeting with mentor, business advisor and friend, Gareth Boot. A man of many talents, he’s just the person to help me gain some much needed clarity, focus and motivation. Find out more about Gareth here:

Technically challenged

Gareth putting his creativity to good use on my first video shoot

Drop him a line if you need help with your challenges, be they professional or personal. Our meeting helped get me on point and get my priorities straight for the next trimester. It’s with this meeting in mind that I’ve decided I need to streamline and simplify the many facets of my offerings as harpist, educator and writer. I’ve tidied up my website and you may have noticed I now have a News/Blog page.

This may well be the last blog post I write here for some time. I’ve reached the conclusion that I simply must devote more time to practicing and learning new music. Writing has to take second place for the time being. I have some musical projects lined up for the next few weeks that won’t go well or happen at all unless I sit down and do my work. As you might know, I love writing so this isn’t an easy decision, but I love making music and playing my harp more and I genuinely miss time sat studying my scores and exploring my instrument. It’s my haven and my therapy and I need that as much as I need food and water!

My aim now is to use this page to let you know about any engagements, performances and promotional events I’m doing so you can listen to my harpbeat! I’ve left the most popular creative blog posts up as well as a few posts that are close to my heart. Most importantly there’s still a lot of information about weddings.

If you’ve enjoyed reading my blogs, do let me know, especially if you know someone who might even pay me to do some writing for them!

Thank you for reading and have a great Summer!

Rhian

La Dolce Vita

Enjoying being in holiday mode. I really could get used to it! Anyone need a travel writer?

Choosing Your Wedding Music

“Are you feeling confused about your choice of wedding music? Perplexed at the overwhelming array of options available to you? Here are a few tips on one of the most important aspects of your celebrations which sets the tone throughout your day”

I really love playing for weddings and it's a privilege to be closely involved in your special day.  Music is such a vital part of any celebration and especially the celebration of a loving relationship.  Over the years I’ve played at countless ceremonies and weddings and I know first hand the powerful impact the right piece of music can have.  My role is finding out which piece of music makes you tick and then adapting it to make it sound great on the harp.  To do this well and to give my own unique spin on a piece of music you love can take a while. From first listening to it to downloading a printed version online to making the piece yours can be a pleasantly time consuming process.  This means that you get your very own version of the song that has such significance for you.  This could be the first song you danced together to, or a song that was popular at the time you met.  

I recently met a couple at a wedding event who liked my playing and my music and they want a reggae classic for the bride's entrance music.  Intrigued, I asked if they could send me a link to the song to see if I could make it work.  Having listened to it, I know it’ll work and I feel quite excited about it.  With great lyrics, it's a lovely loving tribute from bride to groom, and most importantly I think it will sound gorgeous on the harp!

Thanks to technology and the internet now, the possibilities are endless.  I played for a civil ceremony in March and the bride was due to come and hear her request at a wedding event.  I was disappointed to find out at the last minute that the venue had decided to have a pianist instead without letting me know, putting me in a slightly awkward position with the bride-to-be who had planned to come and hear me play.  I got my thinking cap on and arranged a video call with her.  My lovely client was delighted with the end results! If you can’t meet me at a fayre, there are ways around this.

It's worth bearing in mind not everything works well on the harp and I'm happy to guide you in your choice of music.

If you're considering having live harp music at your wedding, here are some of the options I can offer:

Civil Ceremony

I’m set up and ready to play from 30 minutes before your ceremony and I play soothing background music from my repertoire list while guests await your arrival.  One of the key moments musically is your entrance.  It's important to get this one right so have a good think about this. You may have a specific piece of music in mind or you may need some ideas - either way I can help you choose the right piece for the mood you want to portray.  I then play for the signing of the register and while you have your photos taken, and finally I play a piece of your choice for your exit together.  

Registrars and venue staff are always delighted when you engage professional musicians - it takes the pressure off them having to press that button and it ensures the smooth running of your ceremony.

Drinks Reception (1 hour)

After your ceremony I can provide background music for you and your guests as you all enjoy your drinks and have your photos taken.  Please note that due to the unpredictable British weather, I don't play outside.  Some harpists do. I don't. The heavens could open either way at any moment and the worst things for my harp are direct sunlight or water.

Wedding Breakfast

Having live music can make a world of difference to the atmosphere while you have your meal, and again I can play from my broad selection of tried and tested pieces.

Church Ceremony

I love playing in the sacred and slightly more solemn setting of a church.  I set up well in advance of your ceremony time and I can play while your guests congregate.  A bridal march is appropriate and I have also played other requests in church.  

I can perform your hymns. Usually the church organist plays them - it goes with the setting and tends to rouse more singing!  I can play suitable background music while you sign the register and have your photos taken.  I can also play your exit music, or again you could have the organist play.  It all comes down to your personal preference.

I can offer a combination of the above options, although I don't do more than 2 elements. For example, Ceremony and Wedding Breakfast is fine but I wouldn't play for your Ceremony, Drinks and Wedding Breakfast - you can have too much of a good thing in my opinion.

The Money Question!  

My prices start from £250.  If you think this sounds like a lot, bear in mind the basic running and development costs of my business - website construction, hosting and updating, advertising, publicity photos and promotional materials, transport costs, harp strings, insurances and maintenance, buying sheet music, appropriate clothing and footwear, practice and training time, the dreaded tax bill, the list is long...  These expenses all contribute in providing you with the best wedding music experience I can possibly offer.

The easiest way to find out more about your choice of wedding music is by attending a wedding fayre, showcase or event and I do as many of these as I can.  If you have any questions you can get in touch by using the link to my Contact page above.  

I have plenty of wedding pieces in the Music section on this website and I update these on a regular basis. You can also view my videos here:

and listen to other sound clips here:

If social media is your thing, you can find out more about wedding fayres and my work on these platforms:

And if you see me looking quite intense and focused as I play at an event, do hang around for a chat - I occasionally come up for air and I'm much friendlier than I look when I play!

“I look forward to meeting you soon at a wedding fayre near you!”

Creative unblocking

Playing

Today is Thursday, and it’s music day! Thursdays are usually free days and I try to fill them with as many notes as I can fit in. Today, dear readers, I just haven’t been in the mood. I’ve succumbed to several seductive distractions and I’ve felt very tired, a feeling I’m convinced is down to the meteorological conditions. The weather outside is frightful, don’t let it snow. (There’s almost always a tune or twenty going on in my head!) I try to fight my fatigue by urging myself to practice. This usually follows a walk, or a bit of a run or some sort of time spent outdoors, but I don’t like getting wet and cold! Jumping in the pool for my aquafit classes ticks that box and provides the bracing boost I need to infuse my day with positive energy. I don’t have time to go to the pool every day, so I can’t wait for some sunshine so I can feel the embrace of the great outdoors again.

I have a busy weekend ahead with more playing than I’ve done for quite some time and my fingers are a bit sore. In an instinctive mood this morning, I played through two steadfast cornerstones from my solo repertoire slowly from memory to warm up and was reassured that it didn’t all sound hideous. Interestingly, the pieces sounded quite fresh. A note to my students reading this - practice has a knack of doing that! You can work like the devil and it may feel like your playing’s getting worse, but great music takes time to mature. I can convince myself that I’m the worst harpist ever if I haven’t racked up a certain number of hours’ practice during the week, which can lead to a downward spiral of no practice at all or a negative approach. Cultivating a healthy sense of responsibility is a useful tool here. So for example, I’ve got a performance/lesson coming up - how do I want to feel and what’s the process I need to implement in order to feel that way? Used well it can provide a healthy motivation. Used poorly it can be a tool for self flagellation and guilt. It’s our choice.

I have a LinkedIn account and I get email notifications from them on a regular basis. This morning’s email opened like this - “It’s not what you know, it’s who you know”. Those words fill me with sorrow and I’ll be deactivating my account as soon as I have time. I genuinely believe the best advertisement is word of mouth and from recent experience, the word of the mouth of the moment, social media, is no great shakes, at least not the way I’m doing it! There has to be a better way and I’m working on it…

I gave an interesting lesson on Monday. It reminded me how fortunate I am to have an abundance of knowledge and experience, and I’m determined to put my skills to good use. I have a very creative mind which can run riot if I’m not careful in channelling it. I think most creatives are wired similarly. The trick is harnessing that energy by becoming attuned to its ebbs and flows.

I played for an ultra chic wedding last weekend at a spectacular venue. It was like something out of a luxury bridal magazine. Unfortunately I didn’t take any photos to show you here as I had quite a lot on my mind. My car exhaust broke late on Friday afternoon, and I got it back just in time for my departure on Saturday morning. My Satnav won’t update so I was trialling an app on my mobile while carefully keeping half an eye on my Satnav, switched to silent, for some form of visual guidance. Needless to say, I arrived at my destination with plenty of time to spare - I’m always aware that incidents like the M62 drama yesterday can happen at any time. It reminded me of a wedding I was playing at a few years ago. I went to pack my car which looked lopsided. I soon realised I had a flat tyre. With the clock ticking, I called my breakdown company, and the mechanic came quite quickly considering it was a Sunday morning. My tyre was fixed and I got to the wedding just in time. I’m often criticised for leaving super early for professional engagements and this is precisely why. I’d rather be there with time to spare for a nap in my car and a coffee than be rushing or, heavens forbid, be late. There ought to be a name for this phenomenon, like Freelancer’s Fear. There probably is, I just don’t know about it. If I’m late or I don’t arrive, I won’t get paid!

This weekend I’m climbing back into the old orchestral saddle and although I feel underprepared by my standards, I’m really excited about playing a beautiful orchestral work and being part of a bigger group of musicians again. Preparing for it has reminded me of my love and passion for orchestral playing and I do feel some sorrow and regret that fewer opportunities come my way these days. I’m on an exciting journey! I’ve enjoyed the discipline of the preparation and the immersion into the music that’s required for a solid performance. I’m nowhere near where I’d like to be with it but I know it’ll be more than good enough. Like one of my teachers Germaine used to say, “On ne peut pas être au four et au moulin”…

Wishing you a great weekend, hopefully with a few more radiant rays of sunshine. Perhaps I’ll see some of you at the Wortley Hall Spring Wedding Fayre on Sunday. I can’t wait to share my harpbeat with you!

Me, Rhian Evans Harpist

at Wortley Hall. Image - John Steel Photography

Anneleen Lenaerts

Image - Marco Borggreve

Anneleen Lenaerts is one of the major names in the harp world today. A laureate of numerous major international competitions, she truly is at the forefront of a sparkling generation of harpists.

Imagine my delight when I saw she was coming to the RNCM in Manchester to coach Eira Lynn Jones’ Young Harps project, give a public masterclass and recital, and finally teach a class. I haven’t heard Anneleen play in public for at least 10 years. Dark, demure and petite, she’s still the unassuming, gentle, warm person she was back then. Her prestigious title, Principal Harp of the Vienna Philharmonic hasn’t gone to her head - gracious is a great word to describe her.

She delivered a relaxed informative masterclass with ease and generousity, offering valuable pearls of advice. I can’t wait to massage my strings, words she spoke to all 3 students who were fortunate to work with her.

When improvement is noticeable to an audience, the teacher has truly done her job, and the change in each student’s playing was evident in a remarkably short space of time.

After over 2 hours’ coaching, Anneleen went on to play 4 demanding solo pieces on an unfamiliar harp. I’ve had a lot of lessons on that harp, and like countless other RNCM graduates from Eira’s firmly established department, I’ve spent hours sweating blood, and the odd tear or two, over that instrument. Believe me - it’s a real challenge to make it sound well. A conservatoire war horse having survived thousands of hours of relentless rigorous plucking and pedalling, Anneleen coaxed and cajoled from it a surprising spectrum of soundscapes.

Her wisely chosen warm up piece was Fauré’s Impromptu, which elevated her to her comfort zone. She breezed her way through a juicy programme, bringing frissons of delight to an audience entranced by her musicality and the intricate refinement in her playing. The piece that stood out for me was Joseph Jongen’s Valse, a work that isn’t performed very often, at least I wouldn’t describe it as a stalwart of the harp repertoire. It really was an inspiring colourful performance of a well written work by the Belgian composer. Anneleen is of Belgian origin, which might explain her natural affinity with Jongen.

Anneleen is a prime example of what’s expected of a professional harpist at the apex of their career. She’s an exemplary role model. A tireless traveller, she had just come over to the UK from the States, and I’ve seen on social media that she was in France following her visit to Manchester. She’s also recently released a CD of music by Nino Rota, including some heart wrenching music from the classic film, The Godfather.

I get the feeling Anneleen will waltz onwards to become one of the godmothers of the harp world. Catch her performing in public if you can. And you can check out her musical activities and her whereabouts here:

Photo Blog Post - Comic Relief

I’ve run out of written words this week so I thought I’d somewhat appropriately do a photo blog post for a change. It gives me the opportunity to shout about another one of my local heroes, photographer John Steel. I’ve known John since 2015. We met when I was playing at a wedding fayre in the village, and we’ve collaborated on several projects since. Working with giant John is always a pleasure. His photos are vivacious with a generous dash of fun and he captures rare moments, emotions and personalities. His style is unique, imaginative and artistic - if you like pretty posed portraits, then he’s probably not for you. If you like poetic, poignant, memorable (I ran out of p-words) images, he’s your man. Think brides jumping out of windows, newlyweds bouncing around on space hoppers, men sipping tea up a hill, and even a harpist with her harp on a boggy moor, and you’re there. Despite his stature, he’s discreet and professional, and he offers a personalised service to suit your requirements. Talk to him about skateboards and offer him a brew (milk, no sugar) and you’ll make him a very happy man. His creative work is fabulous and you can check it out by clicking on these buttons:

I asked John if he’d take a few photos of the goings on at Sainsbury’s on Red Nose Day and he was willing to help out. Let me know what you think of the results:

Manager Gina

Using her mobile as a microphone, and Grant from Wedding Fayres Yorkshire making a live video recording of the incredible pie eating contest

Pie face

Manager Ryan

Those lovely Sainsbury’s Local ladies

With an unsuspecting customer

Bizarre and slightly surreal

You don’t see this kind of action every day at your local shop

Just one more wafer thin squirt of cream…

Selling scratch cards for a good cause

Well aisle be

Sainsbury’s Local Holmfirth sure know how to give a warm welcome

The final tot up in my fundraising box was £107!

Thanks to everyone who came to support. You’re the stars!!

Make 'em laugh? Comic Relief 2019, Sainsbury's Local Holmfirth

I’m often told my playing makes people cry. I think this is a good thing. In an age where many of us are numb to an environment in which we’re bombarded with stimulation, having the ability to stop people in their tracks with my music can feel liberating and empowering. With music, I can help people slow down and take a few moments out from their day to pause, listen, hear and watch. And maybe feel. Escape. Music is therapeutic. It’s healing. It feeds the soul.

This was my experience last Friday. I was invited to play for Comic Relief’s Red Nose Day activities at Sainsbury’s Local in the idyllic town of Holmfirth. I started working there part time in January. It’s a great little supermarket with a lovely team of staff who have welcomed me as one of their own. Although it’s been a steep learning curve, I derive immense pleasure from being able to help customers and I love taking a few moments to engage with them if they have time. The shop gets busy very quickly and by the same token, the quiet lulls in traffic are blissful oases to catch my breath during my shift.

I decided I’d use this opportunity to test out a few pieces I’ve been learning to gauge audience reaction. They went down well so they’re keepers and are coming soon to Soundcloud or a similar platform. Apart from a 30 minute break, I was “on duty” from 11-5. It was a long shift. I had a bit of a slump at 3.30 and HAD to sample just a little bit of the shop’s incredibly appetising array of chocolate. I plumped for 2 bunny shaped goodies which gave me a much needed bouncy boost of energy. I rarely eat very sweet chocolate preferring small amounts of the extra dark stuff. I discussed the merits of veganism with one of my students this week and we both concurred that vegan is all very well but sometimes, you just need a bacon sandwich.

I was delighted and relieved at the positive public reactions on Friday. I didn’t know what to expect and there were some magic moments. One man told me his daughter would be disappointed to have missed my playing. He told me he was Welsh and did I happen to have Calon Lân? As chance would have it. Off we both went, me sing-playing along without a worry in the world. It was reminiscent of carefree times in chapel.

I’ve included a couple of video clips if you want a clearer idea of events on the day. There’s another clip of me playing the theme from Love Story. “For Comic Relief?” I hear you ask. Well, yes. I decided this year that I’m going to play music I love and enjoy playing at promotional events. I mean, if I’m enjoying myself, there’s more chance my audience will, right? Yes, I play all the standard wedding music, the Ed Sheerans and Twilights, the Disneys and the Yourses. Is that the music I listen to at home? No it isn’t, and the customer is king so for weddings, if it can be played on the harp and I can get paid, I’ll play it!

Some of my lovely Aqualadies came to support which was fantastic. I’m surprised they recognised me in my ruddy disguise. A colleague told me I looked like Julia Roberts in Pretty Woman. “Nice!” I thought to myself. She then reminded me what Julia’s job was in the movie. Anyway I’ve checked and her wig was blonde, so no resemblance whatsoever. Phew. I tried wearing the nose but that together with the wig was a step too far. I’d asked my photographer friend John Steel if he’d come down to take a few of his fab photos, which he did in his own unique quirky invisible giant photographer style. Soon after John turned up, I was pleasantly surprised that Allan and Grant, the men behind ace wedding fayre organisers Wedding Fayres Yorkshire made a special guest appearance. I reckon the three of them were after a bit of pie.

I was touched by the support everyone showed and I have some great content for my website and social media for a while. After the tot up, there was £107 in my box. That definitely made me laugh!

Over the Bridge - Camac Harp Weekend, Cardiff

“Attending a music event can be a breath of fresh air and can provide inspiration in so many ways. Read on to find out what I got up to in Cardiff last weekend”

Oval Sculpture (Delos)

Barbara Hepworth, 1955

Last Saturday lunchtime I drove across the Severn Bridge for the first time. When I drive to Cardiff, I usually take the inner more “scenic” route (name a route in Wales that isn’t picturesque) but for some reason, this time I stayed on the motorway. The bridge’s sprawling telescopic steel limbs funnelled me into Wales like a minuscule spider scuttling home. Whooping as I drove excitedly over the monumental bridge, I gained the momentum I needed to keep going for the remaining hour of my journey. Cardiff’s a fair old drive from West Yorkshire.

I got lost here half an hour from home

In my defence, I’d taken an alternative route to get to the motorway to avoid a traffic jam, soon after having my car door slam on my shin, driven by strong winds. I heard a crack. I swear that cursing profusely for 5 minutes definitely eased my pain

The main reason for my trip was to get my harp serviced by those fantastic Camac technicians. Wrench wielding recent recruits Guillaume and Louis did themselves proud and my harp sounds great. Thanks guys! The after sales service Camac Harps provide is just brilliant and I know my harp is in the best hands.

I received a customary warm welcome from lovely Elen of Vining Harps, who were organising the harp weekend. Apart from having my harp seen to, I was very excited about the recital to be given by Isabelle Moretti that evening in the Impressionists Gallery at the National Museum of Wales. That all sounds a bit heavyweight doesn't it? And yes, it was, but effortlessly so. I felt like a VIP, granted permission to the museum after hours. My heart started racing walking past Rodin’s bronzes and, would you believe, some works by Yorkshire lass, Barbara Hepworth. You can take the girl out of Yorkshire… The intimate room was full to capacity and I couldn’t quite register how I was to be treated to such a sumptuous feast for my eyes and ears. I let it all wash over me like an exquisite wave, sweeping away the staleness from my business and my scant unenthusiastic solo practice.

The Clouds

Auguste Rodin

I’ve heard Isabelle perform many times and I can genuinely say I’ve never heard her play better. She performed with character and charisma, grace and elegance, and I forgot about my life for a couple of hours. I was whisked away to another universe, where music and emotion dominated. I can still hear her opening piece, the Sonatine by Marcel Tournier, played with an extraordinary palette of colours. Tears welled up as my soul was soothed. One minute my ear was drawn to the definition given to a phrase by her left hand, the next it zoomed in on her right hand, deftly negotiating a jump with élan and sparkle. To call her playing perfect is false. Isabelle’s playing is beyond that. When I listen to her, I don’t hear a harpist. I hear a musician, an artist, a human being, and I have no questions.

The best photo I got

of Isabelle’s spectacular Canopée harp with Monet’s work. The door looks nice doesn’t it?

In the first half of her meaty programme, she played famous pieces from the harp repertoire with a freshness that made me believe she hadn’t played them countless times in public over the years. After the intermission, we moved from Monet’s hazy impressionistic mood to Spain. The smooth transition came in the form of her own intricate arrangement of La Soirée dans Grenade by Debussy. After a marathon programme, her finale by De Falla from his opera La Vida Breve catapulted me straight back into the pit. The orchestral sounds flowed organically from her fingers. I could hear flamenco guitars and imagine swarthy bronzed hombres arrogantly blowing cigarette smoke in the faces of their sultry señoritas, their heels click-clacking noisily in a hot airless tapas bar.

Unlike my vivid imagination, there was no excess, no indulgence in Isabelle’s performance, one that will stay with me for a very long time.

What Isabelle played, by heart

Walking into the museum, I bumped into Ceri Wynne Jones who I hadn’t seen for years, possibly not since a Gregynog harp course. Remember those? It was great to catch up with her and compare stories from our freelancing endeavours. There was a post concert reception at the intimate Kooywood Gallery. Even more art! Wine was flowing freely. This was one of the first social events I’ve been to since I stopped drinking a year and 3 months ago. Despite feelings of inadequacy and shyness, I think I managed alright. I wasn’t a butterfly and neither was I a wallflower. I left with a clear head filled with notes and no anxiety about how I was going to get back to the hotel. It was reassuring not to feel a looming sense of dread in anticipation of the morning after.

Victor Hugo

Auguste Rodin

There’s never enough time to fit everything in at this type of event. I heard promising sounds from Claire Jones and her ensembles rehearsing and doing their sound checks, but I had to head back up North before the closing concert. And yes. I went over the bridge again with the exact same excitement. You can take the girl out of Yorkshire…

Hands on

Shoes off - a masterclass with Isabelle Moretti. It was, for me, a reminder of the importance of the rhythmic feeling within the bar

Colour full

Rhi-sabelle!

“See you next time for a blog post about Comic Relief!”

Listen to my Ha-ha-ha-harp!

Me, Rhian Evans Harpist, having a laugh

I’m just a bit excited at having been invited to play at Sainsbury’s Local in Holmfirth for their Comic Relief event. It takes place on the 15th March, times to be confirmed. The main reason for my excitement is that it’s a charity event and I’m really looking forward to playing for an audience that might never have heard a harp or seen one up close before. I’m going to decide on the delicious harp music I’m going to play this weekend, and it will be music on the lighter side which I love, played from the heart as always. As for what to wear, well that’s easy. If you follow me on social media, you’ll have seen that I’m not shy about fancy dress and neither am I ashamed to admit I’ve got a wig collection (2 to date, watch this space…) I’m also willing to accessorise my harp. Anything could happen!

This little Sainsbury’s in the heart of Holmfirth is lovely and I started working there part time in January. The managers and other staff have been so kind and patient with me as I’ve been learning the ropes of a job in which I have no skills or experience other than those I’ve gained from being a musician. They’ve not been much use for working tills or taking a delivery (or doing the blasted lottery) but slowly and surely I’m improving and gaining confidence. The shop has saved my sanity in many ways as I try to keep my harp work closer to home in order to avoid too many motorway journeys. I don’t mind driving but I’m trying reduce my mileage as I approach the big five-0.

Next week, I’m going to contact the local press to see if they’d be interested in featuring the store’s endeavours for Comic Relief. They’ve planned it really well with all sorts of activities going on to raise money for this important charity and I’m really touched they’ve asked me to take part. The red noses, banners and all things Comic Relief are already by the tills. I wonder if they’ll be getting those red noses for cars so that I can put one on my harp. Or maybe my head. Hmmm.

If you’re in Holmfirth on Friday 15th, do pop into Sainsbury’s and donate some money to Comic Relief. And come and say hello and listen to my ha-ha-ha-harp beat!

The Lowry - a Photo blog post for readers that aren’t on Facebook

I saw some spectacular sights before work last night:

Imperial War Museum

from the Lowry

Those dark eyes

watching over me one last time

Imperial War Museum

with a flood of poppies

Those dark eyes again

Gotta take the rough with the smooth

My BRITTEN Lesson

23 October

The pedalling passage

11 November

I feel a bit embarrassed about putting this messy picture up but I’m suspicious of people with pristine sheet music! Here is the page above with added creative process. Given another couple of days I could have easily played from this score but I ran out of time. People say my parts are unreadable. To me they make perfect sense - by that stage of learning, the reflexes and muscle memory have been programmed. The notes would have become part of me and I could have played it with my eyes shut

I realise that by writing with utter honesty here, if a fixer or colleague reads this it may jeopardise my chances of being offered orchestral work but I’m willing to take that risk. I see images and reports of perfect performances online (let’s face it, nobody wants to admit to a performance that’s below par) and I wonder how perfect these are. What about the f**k ups? What about dealing with difficult situations? I always aim to play all the notes and forget this isn’t always possible, especially when rehearsal time is brief. Sometimes a plan B is called for and as a tenacious perfectionist, I’m not always great at resorting to plan B.

Hindsight is a beautiful thing and there’s an opportunity to learn and not beat myself up. I thought I’d share some of my experience learning Britten’s War Requiem and what I gained from it. If I was doing work like this all the time and not trying to reboot my life it would have been easier - I haven’t had to learn a particularly challenging new piece this year so my process isn’t as well honed as it used to be.

I have a very specific sound in mind when I learn a new piece. Take Tosca for example - it demands a Puccini sound that’s often full and lush. If I approached Britten’s music with that style it would sound wrong. This makes life harder but I’ve never been one for just playing the notes, occasionally to my detriment.

My biggest enemy these days is time. If I’d had time I would have taken a clean photocopy of the original page and marked it up again without all my workings out leaving the bare minimum of markings. Ideally I would have enlarged this page and maybe put it on Sibelius if I had it and knew how to use it. Again I realise the majority of my work is last minute which has a knock on effect on everything else. I’ve never been a strong sight-reader so now, with my increasingly poor eyesight, I need to learn difficult pieces thoroughly to feel confident about playing, watching the conductor and listening to my colleagues.

This short and relatively simple section needed to be memorised

I’m glad I’ve had the opportunity to learn and perform War Requiem and it puts me in good stead if it comes round again or if I’m asked to teach or coach it.

This week is busy again with two big programmes over the weekend, including a couple of works I’ve never played. Everything else is familiar which is reassuring and the new pieces aren’t particularly challenging. There’s even a piece which brings a smile to my face! I commit to practicing slowly and calmly with curiosity and doing 4 hours on my quieter days, and making more time to listen to recordings of the pieces I’m working on. I also commit to finding a way of recording myself at home, mainly to log my own process and progress and to get used to recording. I commit to getting my eyes tested next week. Oh and I commit to believing in myself again, and in my love for music and my passion for sharing it.

Another tricky passage

Plan B

Interpretation and expression

Familiar

One of Britten’s characteristic markings. It made me laugh when I once found a Britten harp part where the bracketed Italian words had been replaced with the words “Aren’t they all?!”

At the beginning of this week I received the harp part for a work I’m performing next month, Benjamin Britten’s War Requiem. It’s a renowned choral orchestral piece and I’ve never learnt it. It’s completely unfamiliar. I’ve never even heard it performed. It got me thinking that this would be the ideal opportunity to share some insights from my learning process.

After leaving the music to ripen further in the envelope for 2 days as I didn’t have time to start looking at it, out came those notes enshrined in mystery yesterday morning. I’ve worked on quite a few of Britten’s harp parts and they are at times fiendishly difficult. His harp writing was strongly influenced by his friendship with male Welsh harpist Osian Ellis who was I suppose Britten’s harp muse. Ellis was a technical whizz in his heyday and this is obvious when you study Britten’s often complex writing.

I scanned through the music yesterday morning and was relieved to find that nothing made me wish I’d received the part sooner. Time will tell. This evening I started looking in more detail and seeing patterns in his writing. I recognised the meticulously precise indications and articulations specific to his style.

My next step will be to go through the part very slowly exploring each element and making sense of them. Much of my work will be done away from the harp with little playing. If I do play sections, they won’t sound great, much like a first draft or a sketch. I rarely like to listen to a new piece before I investigate it myself, mainly out of curiosity to see how near or far from the mark I get to the general interpretation. I will then research the piece and work out the roles of the harp within the orchestral texture. After I become quite familiar with it I’ll start listening to it, both with and without the printed music. With 3 busy weeks to learn it, time is of the essence and I’m trying to cut myself a little slack. It probably won’t be perfect this time. Marking up is a long and vital part of the process, and I’m often adjusting and making corrections a few days before a performance and, best of all, afterwards if there’s a repeat performance. Then I can go to a deeper level. There is only one performance this time, so hopefully I will have the opportunity to do it again. It’s a lot of work, which I enjoy immensely.

There’s an arid coldness to some of Britten’s writing and I often find his music can seem quite angular, stark and impenetrable at first, and by the same token there is so much beauty, such warmth and spine tingling emotion. His violin concerto is a scorcher, his operas masterpieces. One of my all time favourite Britten works is the Lute Song from Gloriana, so simply stunning I’ve added this sound clip.

The fact he almost always writes for the harp in his works means Britten is a force to be reckoned with and the challenge of learning one of his pieces is an opportunity for enrichment.

Draft pedalling

This will need work to make it work

I digress. Great pedalling is an art form and it’s very important to find a system that works. If you’re a non musician or lever harpist, the harp has 7 pedals, one for each note, with 3 positions - flats are at the top, naturals in the middle, and pressing the pedal right down sharpens the note. Accidentals (flats, naturals and sharps) basically make the note sound higher or lower. Looking at my feet, the pedals are in this order: D, C, B / E, F, G, A. I’m a left foot over right foot kind of girl. This means I write my pedals with D, C, B on top. There’s no right or wrong here but consistency is key.

Brownie points

if you can tell me why I need to edit this page

Choosing a good fingering can only really be done at the harp so that you can hear the results. To some extent, you can do this away from the instrument but you have to hear and feel the result and like pedalling, the fingering I choose might not work for another harpist. I think it’s down to morphology and how my brain functions as well as technical ability. I know some harpists would laugh at my imaginative fingerings but if they work for me and the music, it doesn’t matter. I try to choose my fingering according to the articulation and the musical intention and Britten is very precise in his demands. The small arrows in the passage above mean staccatissimo, very very short, and ppp means pianississimo - very very quiet, so this can be quite tricky especially if it’s fast. Articulation is like talking. Imagine someone talking in a monotone way, you soon stop listening. It’s the same with music.

Analysis is essential in understanding the piece, so this means working on key signatures, time signatures, harmonic progressions, basic structure and so on. It’s like baking a cake - knowing and understanding the ingredients you’re putting in. It’s way less boring than it sounds - it can be a vividly colourful discovery.

Visual memory is so important. I feel reassured if I can see the pages in my mind away from the harp and the more detail the better. Learning a new piece is like putting information into a computer. Input it any old how and any old how is what you get out. This doesn’t stop me from making it a fun, indulgent, imaginative and creative learning experience. This may seem silly but listening is important! Sometimes I’m so busy with one particular aspect of the music that I feel daft when I realise I’ve stopped listening. I pay attention to the various voicings in each hand. Germaine, my teacher in France taught me this, to define each line within a chordal left hand part for example, to connect the notes and hear and SING the individual lines. I can still play many of the pieces I learnt with her mostly from memory. This brings me to muscle memory, a vital element in practice and performance. What I mean is feeling the gaps between the fingers (inversions), the jumps, left and right hand coordination, how to remember the music by encouraging the body to FEEL it. It is physical and emotional work. And it’s as much fun as I make it.

The metronome soon becomes my close ally again and sets me on the right track. Slowly but surely I will get there and my aim is to feel as though the music belongs to me, that I know it intimately. I often get discouraged during the learning process - this is normal and I know I just have to keep going, or take a break and let the music in. When I feel like this, I remind myself to focus on how I want to feel in the rehearsal and concert, to focus on the music and the performance. Visualisation and meditation are really useful here. I’ve suffered from performance anxiety in the past, and sometimes I still do. It passes as soon as I get into the music. I’ve learnt to manage it and it isn’t destructive anymore. It helps if I have practiced well and offered myself plenty of anchors in my preparation to keep me from going adrift.

Time for some practice. Not on the piano.

Speed Blog

Shades of Blue - offstage position

I haven’t blogged for some time. It’s been busy and I’ve started three blog posts but haven’t had time to finish them. So this morning I thought I’d try something new - speed blogging! Sounds like some kind of dodgy online challenge doesn’t it? My longer blog posts don’t take too much time to write and they can be spread out over a few days, or weeks as is the case at the moment. What does take time is the photos and editing, which can go on for a few days after publishing a post.

Blogging can be a great way to attract traffic to a website and to please that search engine, and I love written expression. It feels like a safer way for me to communicate as a lot of the time I can’t articulate my thoughts into sentences fast enough. I used to avoid saying what was on my mind but blogging has taught me to better express myself.

This week is one of the busiest so far this year and is the polar opposite of how my life was a year ago. Tonight I’m playing offstage harp for Opera North’s Tosca in Leeds, so I leave at 4pm, play around 2 minutes worth of music and I get home just before 10. It seems crazy that that minute moment of music involves so much time and effort. Tomorrow is a lunchtime chamber music recital at St Paul’s at Huddersfield University followed by a Q&A session around being an orchestral musician, chamber musician and freelancer. It will be an interesting challenge to push myself out of my comfort zone. I’m not a natural public speaker (see above) and I’ve even volunteered to introduce our last piece, Pastorales de Noël by Jolivet. Then I can come home and be ill for an hour as I’ve got a cold, and we get into preparation for Friday, which is the really big one this week - playing the pit part in Tosca.

Debut

In the pit this Friday night

As I mentioned in a previous post, I’ve always wanted to play Tosca and I set an intention not so long ago to do that. Here we are, the moment has finally come. Saturday and Sunday I get to cover Merry Widow by Lehár, that’s less stressful as I did it when I was in Cape Town and had a decent amount of rehearsal on it. I was hoping for a quiet day off Monday but I might have a rehearsal now. That’s as far as I can go in my head without it imploding.

Warming up

Enjoying a few precious moments with my harp before the shoot

It’s great to be busy. If I could change one thing, it would be the amount of practice time - I would like to quadruple that! My phone stopwatch is ticking and I need to add photos and edit this. I’ve also vowed not to revisit this post and tweak it - my next challenge is learning to let go.